All items are hand signed by the artist unless specifically noted otherwise.

MAUD AINSLIE (Amer. 1870-1960)

1. [The Dance Recital], color woodcut, c. 1912, ed. small, 7 7/8 x 9.", SOLD Narrow or no margin, right side (either trimmed or printed near sheet edge). Ainslie studied with Dow (before 1900) and with Zorach in Provincetown. She came to Provincetown in 1912-13 and maintained a home there until her death. She was an early member of the Provincetown Printers and had one print in the landmark exhibit, Provincetown Printers. Before this print, that is the only other print image of hers I have found record of. A masterful image. Her works are quite rare...

CHARLES W. BARTLETT (Brit. 1860-1940)

3. "Taj Mahal, Twilight", color woodcut, c. 1919, M14, 10 x 14 1/2.", $1250.

4. "Ushibuse", color woodcut, 1916, M32, 9 x 14.", $1250. Fishing in the Bay of Enoura. Also known as "The Sleeping Buddha" because a profile of same is said to be visible in the distant mountains. Faint old mat line, matted out.

2. [Man with Scythe], watercolor, 1904, 17 3/4 x 11 1/2" (sight)., $825. Most likely painted in Holland. Repaired edge tears not entering matted area.

CECIL C. BELL (Amer. 1906-1970)

5. "East River Swimmers", lithograph, 1936, ed. 5/20, 11 3/8 x 15.", $1250. Bell did a painting of this same subject in 1937.

OSCAR E. BERNINGHAUS (Amer. 1874-1952)

6. "Clouds After Rain, Taos, N.M.", monotype in colors, 1939, 7 x 8.", SOLD Signed and titled in pencil in margin and again (and dated) on original back board. Wonderful colors & impression. Other similar examples of his monotype work can be seen in Singular Impressions: The Monotype in America, Joann Moser (1997, NMAA) pp. 98-9. Berninghaus' monotypes are uncommon. 4 small tape stains verso, margin edges, far from image.

LEON BIBEL (Amer. 1913-1995)

7. "Windy City", lithograph, 1937, , ed. 16, , 13 5/8 x 9 3/4.", $1750. Slight soiling in margins, well out of image area.

ARNOLD BLANCH (Amer. 1896-1968)

8. "Duck Hunter", color lithograph, c. 1939, 8 1/8 x 13 1/4.", $375. One of 100 prints chosen for Thomas Craven's iconic 1939 volume, A Treasury of American Prints. Hinge stains and remnants upper margin edges and some mild edge skinning all well out of image.

FRANK BRANGWYN (Brit. 1867-1956)

9. "Breaking Up of the Duncan", etching, 1912, G193, ed. 125, 21 1/4 x 32.", $1450. A large and impressive image, arguably the best of Brangwyn's four great prints depicting the dismantling of early wooden men-o-war vessels.

NORBERTINE BRESSLERN-ROTH (Aust. 1891-1978)

10. [Swans in Flight Over Lake & Mountains], color linocut, 8 1/4 x 10 1/8.", $925. Wonderful color; slight cockling to the sheet, which is common with this thin paper. From the estate of Sylvan Cole.

FEDERICO CASTELLON (Amer. 1914-1971)

11. "Memories", lithograph, 1940, AAA ed. 250, 12 5/8 x 9 3/8.", $350.

PRESCOTT CHAPLIN (Amer. 1897-1968)

12. "El Cargador," ("The Loader"), woodcut, c. 1930, 7 x 4 7/8.", $425. Pictured in Mexicans: Twelve Woodcuts by the artist, 1930, The University of Seattle Bookstore; Number 43, University of Washington Chapbooks. Plate 1.) Wonderful sense of movement much like John J.A. Murphy. Pinhole in upper margin, 3/4" out of image area.

13. "The Weaver", woodcut, c. 1930, 7 x 5.", $375. With artist's label on the reverse. Four thin pieces of hinge remnants 4 corners. This may very well be from Mexicans: Twelve Woodcuts by the artist 1930, The University of Seattle Bookstore; Number 43, University of Washington Chapbooks.

WALDO S. CHASE (Amer. 1895-1988)

14. "Land of the Great Spirit", color woodcut, 1931, small ed., 12 1/2 x 7.", $1950. Excellent colors and embossing (gauffrage) in the snow area of the mountains; mat line, matted out. Brother of Corwin. The Chase brothers taught themselves the art of the color woodcut in the mid 1920's using Frank Morley Fletcher's manual and produced magnificent color woodblocks for only about ten years. I've also seen this print, printed by Corwin, and titled "Indian Henry's" and dated 1929.

GABRIELLE DEVEAUX CLEMENTS (Amer. 1858-1948)

15. "Johns Hopkins Hospital", etching, 1929, ed. unknown, 13 1/8 x 15 3/4.", SOLD Under the dome is a well-known monumental marble statue of Christ. Prayers are left at its base asking for recovery and thanks are also left for answered prayers. An uncommon image.

JOHN WESLEY COTTON (Can./Amer 1869-1931)

16. "Eucalyptus--Pasadena", color etching & aquatint, c. 1920, ed. 22/50, 13 7/8 x 9 1/2.", SOLD Wonderful colors. Inscribed with title lower margin edge.

18. "Night, Palm Canyon", color etching & aquatint, c. 1924, ed. 5/100, 11 3/4 x 9.", SOLD An Impression of this print was exhibited at the Printmakers Society of California exhibit in 1924. Fantastic colors.

19. "Old Butter House, Bruges", color etching & aquatint, c. 1916, ed. 40/50, , 17 3/4 x 12.", $475. Tape stains, 4 margin corners; slight sunning from old mat window.

17. [Mountains Through Flowering Trees], color etching & aquatint, c. 1910-20, 5 1/4 x 2 1/2.", SOLD Framed.

ARTHUR BOWEN DAVIES (Amer. 1862-1928)

20. "Ships" (Three Nudes), lithograph & lithotint, 1919-20, Cz147, ed. 10/25, , 15 3/4 x 10 3/4.", $850. Titled, dated and editioned in pencil on reverse (also titled recto). The Ferargil Gallery stamp verso disappeared during conservation.

ROBERT JAMES DAY (Amer. 1900-1985)

21. [New Yorker Golf Cartoon], wash drawing, 1950, 9 1/2 x 12" (sight)., $650. The original art for The New Yorker cartoon that appeared in the August 5, 1950 edition. With New Yorker copyright stamps and editorial notes verso. Caption: "This is the big one, folks...Now he's sighting the putt...Now he's bending over and addressing the ball...Now he's glaring in my direction..." A copy of the magazine with the published cartoon included with artwork.

KARL DEHMANN (Amer. 1886-1974)

22. "View From Brooklyn Bridge", color etching & aquatint, c. 1930-40, 15 x 11 7/8"*., $750. *This has a very large plate mark; the actual printed image is 13 x 8 7/8." Some stray ink within the plate mark but outside the viewable image. Two tape stains, left margin edge, well out of image. A powerful image of the New York skyline from the Brooklyn Bridge. Dehmann was born in Hamburg and studied there until 1910 when he went to Paris to study. He also studied in Italy; in 1920 he moved to Dštlingen. In 1939 he came to New York. He lived in Brewster, NY at the end of his life.

23. "Wall Street and Subtreasury", color etching & aquatint, c. 1940, 14 7/8 x 11 1/8.", $495. Dehmann was born in Hamburg and studied there until 1910 when he went to Paris to study. He also studied in Italy; in 1920 he moved to Dštlingen. In 1939 he came to New York. He lived in Brewster, NY at the end of his life. With original label from Randolph Galleries, NYC.

ADOLF DEHN (Amer. 1895-1968)

24. "Madame and the Girl", lithograph/chine applique, 1928, LO83, ed. 24/30, 8 7/8 x 10 5/8.", $575. Printed by Edmond Desjobert, Paris. From the estate of Sylvan Cole. Very faint mat line matted out.

MORGAN DENNIS (Amer. 1892-1960)

25. "Customer!"*, charcoal & watercolor, 11 3/4 x 11 1/4.", $550. *Swimming instructor flirting with lovely young woman; overweight woman demands a lesson pointing to sign advertising his services. Titled under mat.Noted "8284-1-2 color" on reverse and there are notes from Dennis to an editor (?) in the margin which strongly suggests this is a published piece.

LEON L. DOLICE (Amer. 1892-1960)

26. "Manhattan", color aquatint, 11 x 5 7/8.", $695. Etchings in color by Dolice art not common.

ARTHUR WESLEY DOW (Amer. 1857-1922)

27. "Newbury Willows", color woodcut, 1921?, small ed., 4 1/4 x 7.", $14,500 Signed and titled in pencil on original mat. Signed and numbered "8" in pencil in image, l.r.. Pictured in Moffatt (Fig. 55) and in Green (p. 30) as "Flowering Orchard" and in color variants in Green as "Evening Glow" and "Willows in Bloom." The blocks are in the MFA Boston as titled here.

28. [Sunset, Ipswich Meadows], watercolor, c. 1890, 9 3/4 x 12 1/2" (sight)., $21,000. Unsigned. This came from a collection of Dow items including 2 signed paintings, an Ipswich print, a rare Dow exhibition catalog and Dow's own copy of the book By Salt Marshes that was exhibited at the Panama Pacific Exposition of 1915. These came to Arthur Warren Johnson (Dow's first biographer and author of Arthur Wesley Dow, HistorianÑArtistÑTeacher 1934) from Minnie Dow and passed through to the Ladd family of Ipswich. Full provenance.

WERNER DREWES (Amer. 1899-1985)

29. "The Jealous Cock*", color woodcut/linocut w/ hand color, 1944, R109, ed. 12/xx,**, 11 1/4 x 17 3/4.", $1250. *aka "Le Coq Jaloux," "Jealous Rooster" and "The Rooster Composition." **There were 15 impressions printed in black, 1942-4 and 15 impressions printed in varying color combinations and a few, like this one, with partial hand color. Mounted to original support sheet; even toning to paper.

WALTER R. DUFF (Amer. 1879-1967)

30. "New York Curb Market" (Stock Exchange), etching, c. 1930's, ed. 30/150, 14 1/2 x 18 1/2.", $950. This highly detailed--and probably highly ironic--look at the New York Stock Exchange may afford hours of enjoyment. With original label from William Macbeth Galleries, NYC.

MABEL DWIGHT (Amer. 1876-1955)

31. "Queer Fish", lithograph, 1936, RP80, ed. <200, 10 3/4 x 13.", SOLD From the AAG edition, unsigned--as issued--and with their stamp on the reverse.

WILL DYSON (Austral. 1883-1938)

32. "Well, Well, Well, One Lives and Learns, One..." [New York City], drypoint, c. 1930, ed. small, , 12 7/8 x 11.", $850. Annotated "N.Y." in pencil in the margin. One of Australia's top satirical cartoonists, Dyson came to New York City and had a show of his prints at Ferargil Galleries in 1930 which sold out. In an article in the New York Times he was compared to Daumier. This image may very have been in that show (ref. Will Dyson, Australia's Radical Genius, Ross McMullin, Melbourne, 2006, p. 352).

WHARTON ESHERICK (Amer. 1887-1970)

33. "February", woodcut, 1923, 9 5/8 x 8 5/8.", $1050. Esherick was an important modern designer, artist and furniture maker. This image was reproduced in Century Magazine (June 1923). Pictured (full page, p. 22) in "Wharton Esherick 1887-1970 American Woodworker," Moderne Gallery, Philadelphia, May 3-June 20, 1996, Catalog # 55.

MAX FERNEKES (Amer. 1905-1984)

34. "E. Wells Street" (Milwaukee), etching, 9 1/4 x 6 7/8.", $250. Slight staining and skinning upper and lower margin edges verso.

HANS FIGURA (Austrian 1896-1946)

35. "Telephone Building" (New York City), color etching & aquatint, 1929, ed. 44/250, 13 1/8 x 8 1/2.", $525. This budiling is now known as the Verizon Building and is just north of ground zero. This view is probably looking west along Barclay St. with the tracks of the 9th Ave. El crossing Greenwich St.

WILLIAM CROTHERS FITLER (Amer. 1857-1915)

37. "Departing Day" (New York), oil/board, c. 1900, 10 x 12.", SOLD This painting was purchased directly from the artist by the family of the previous owner. Also signed & titled on the back of frame.

38. "Solitude", oil/canvas, c. 1900, 12 x 18.", SOLD This painting was purchased directly from the artist by the family of the previous owner. Signed and located "N.Y." Tiled and signed on old label on reverse and noted "New York, N.Y." and "No. 36." Minor inpainting and small repair, upper left. Possibly a scene along the Mohawk River.

36. [Coastal Village], oil/canvas, c. 1900, 12 x 20" , SOLD This painting was purchased directly from the artist by the family of the previous owner. Signed and noted "NY." Professionally repaired tear, upper center.

FRANK MORLEY FLETCHER (Brit/Amer. 1866-1949)

40. Woodblock Printing [book], Book w/ original color woodcut, 1916, 7 1/2 x 5 1/8 [book].", $275. A treatise on woodblock printing by the important artist and teacher. This edition has an original woodblock print tipped in. (Later editions had a facsimile print tipped in).

39. [Mountain and Valley], color woodcut, small ed., 8 x 6.", $3750. Fletcher, the Arthur Wesley Dow of Great Britain, moved to Santa Barbara in 1923 and started the Santa Barbara School of the Arts. Works by this artist are important, uncommon and highly sought after. He taught, among others, Nordfeldt and, indirectly (via his book, Woodblock Printing), the Chase brothers.

WILLIAM RUSSELL FLINT (Brit. 1880-1969)

41. "Ten Studies Of Consuelo Carmona", collotype?, 1953, , ed. 100, , 10 3/8 x 15 3/8.", $525. Signed in pencil; published by Frost & Reed and with their blindstamp.

ISAC FRIEDLANDER (Amer.1890-1968)

42. "Invictus"* (Portfolio w/ 5 wood engravings), wood engravings, 1945, ed. 51/100, 11 x 8 3/4" (images).**, $1250. *Invictus: Milestones in the History of the Jew." 1. Moses 2. Bar Kokhba 3. 15th Century Spain 4. Battle of the Warsaw Ghetto 5. Toward the New Day.**Portfolio 16 x 12." All images signed in pencil and paired with an engraving of Bible verse. Portfolio cover with engraved title.

FRANCIS GOLDEN (Amer. b. 1916)

43. [Golfer Putting in Front of the Gallery], watercolor, c. 1955-65, 15 1/2 x 19 1/2.", $1750. Golden did more than 250 golf illustrations for Sports Illustrated. He painted the golfing days of Arnold Palmer, Jack Nicklaus and contemporaries. Framed.

F. SEYMOUR HADEN (Brit. 1818-1910)

44. "Breaking Up of the Agamemnon I ", etching, 1870, S133, 7 3/4 x 16 1/2.", $750.

NORMA BASSETT HALL (Amer. 1889-1957)

45. "Farm In Autumn", color woodcut, c. 1937, 10 x 13.", $1950. Mat line, matted out. An Impression of this print was exhibited at the Printmakers Society of California exhibit in 1937.

47. "My Neighbor's House", color woodcut, ed. 43/100, 8 1/2 x 11.", SOLD Outstanding colors! Faint mat line, matted out; 4 tape stains corner edges, verso (well out of image area).

46. "Persimmons and Sumac", color woodcut, ed. 36/75, 9 x 11 3/4.", $2150. Thin spot in margins in signature; reinforced professionally.

GEO. O. "POP" HART (Amer. 1868-1933)

48. "The Working People, Waiting for a Streetcar", etching & softground, c. 1925, , 6Ê1/2 x 9Ê1/2.", $675. Titled "Working People" in lower margin.

F. CHILDE HASSAM (Amer. 1859-1935)

49. "An Easthampton Idyll", etching, 1923, Cz223, 8 7/8 x 7 1/8.", $1950.

PETER C. HELCK (Amer. 1893-1988)

50. "Railroad Crossing", lithograph, 1938, ed. 100, 16 x 12.", $1350. Tape stain along top right and left margin edges, well out of image area. Faint mat line from previous matting, matted out.

PAUL CESAR HELLEU (Fr. 1859-1927)

51. "La Belle Parisienne - Portrait of Mme Choucary", color etching & drypoint, c. 1898-9, ed. 100, , 21 5/8 x 13 1/4.", $8500. Wonderful colors and impression!

VICTORIA HUTSON HUNTLEY (Amer. 1900-1971)

52. "Steam", lithograph, 1958, ed. 50, 10 7/8 x 15 5/8.", $850. Full sheet; a whisper of an old mat line, matted out.

53. "Steel", lithograph, 1957, , ed, c. 50, 11 3/4 x 15 3/4.", $850. Full sheet.

SADIE IRVINE (Amer. 1887-1970)

54. [Tree with Full Moon], color woodcut, 7 1/8 x 3 1/8.", SOLD Woodblock prints by this important Newcomb College pottery decorator are not common. A lovely Arts & Crafts image.

ABRAHAM JACOBS (Active Cleveland 1930-7)

55. "Patriots" (Lynching), aquatint, 1937, 8 3/8 x 5 1/2.", $650. Stamped "Federal Art Project No. 1" and with FAP label. Faint horizontal crease across lower bottom of image. The Cleveland Public Library has many of his prints and says: "Abraham Jacobs, a painter and printmaker, was active in Cleveland from about 1930 to 1937, but whose artistic career remains largely unknown. Jacobs' works exhibit a passionate concern for the downtrodden." Illustrated in "Covering History: Revisiting Federal Art in Cleveland 1933Ð43" at the Cleveland Artists Foundation, September 8ÐNovember 25, 2006.

KATHERINE JOWETT (Brit. b. 1890 active 1930's)

56. "Moon Gate - Peking", color linocut, c. 1925, 8 x 5 3/4.", $675. See: The New Wave: Twentieth Century Prints From the Robert O. Muller Collection. Jowett's prints are not common.

JANE BERRY JUDSON (Amer. 1868-1935)

57. "Afterglow--Sheepscot River, Maine", color woodcut, c. 1920-30, ed. 18/100, 8 x 6.", $1750. Upper right corner clipped, well out of image area. Judson was a member of the Boston Society of Arts & Crafts; elected a Craftsman in 1930 and promoted to Mastership in 1932.

58. "An Autumn Road", color woodcut, c. 1920-30, ed. 92/100, 8 x 6.", $1950. Judson was a member of the Boston Society of Arts & Crafts; elected a Craftsman in 1930 and promoted to Mastership in 1932.

59. "Capt'n Seth's Doorway", color woodcut, c. 1920-30, ed. 38/100, 8 x 6.", $1950. Judson studied at Pratt Institute in New York (where Dow taught but it has not been established if she studied with him) and studied woodblock printing with the British master, Allen Seaby in England. Judson was a member of the Boston Society of Arts & Crafts; elected a Craftsman in 1930 and promoted to Mastership in 1932.

60. "Community Church", color woodcut, c. 1925-30, ed. small, 6 x 4.", $1250. This is a rare image by the artist--have only seen it one other time in 20+ years. Judson was a member of the Boston Society of Arts & Crafts; elected a Craftsman in 1930 and promoted to Mastership in 1932.

61. "Twilight--Sheepscot River, Maine", color woodcut, c. 1920-30, ed. 17/100, 8 x 6.", $1850.

LUDWIG H. JUNGNICKEL (Aus./Amer 1881-1965)

62. [2 Foxes], color lithograph, 9 x 9.", SOLD

ROCKWELL KENT (Amer. 1882-1971)

63. "Flame", wood engraving, 1928, BJ24, ed. 100, , 8 x 5 1/2." , $4250.

64. "Man at Mast", wood engraving, 1929, BJ33, ed. 100, 7 3/4 x 5 1/2.", $2850.

MARGUERITE KIRMSE (Amer. 1885-1954)

65. "Three's A Crowd", etching, c. 1930, 6 3/8 x 9 5/8.", $450. Pictured are a Cairn, Scottie and West Highland Terrier.

ALEKSANDER KOSOLAPOV (Russ. b. 1943)

66. "Gorby", color lithograph & silkscreen, 1991, , ed. 15/25, 25 3/4 x 22 5/8" (image)., $2850. One of 4 color variations of this print issued in an edition of 25 each in 1991.

YASUO KUNIYOSHI (Amer. 1893-1953)

67. "The Cyclist", lithograph, 1939, DL77, ed. 250, 12 1/2 x 8 3/4.", $2850. From the estate of Sylvan Cole.

LAWRENCE E. KUPFERMAN, A.N.A. (Amer. 1909-1982)

68. "Inner Harbor--Boston", etching & drypoint, c. 1932, ed. 9/40, 5 3/4 x 10 7/8.", $1250. Another impression of this print was exhibited at the Brooklyn Society of etchers exhibit of 1934.

MARIE LAURENCIN (Fr. 1885-1956)

69. "Rose, ou la Femme d'un Amour", color lithograph, 1930, M149, ed. 37/115*, 14 1/4 x 11 1/2.", $2850. Plate I of Pressentiments; published by Quatre-Chemins. Inscribed with title on reverse. Faint mat line, matted out.*Total edition 130.

LOUIS A. LEGRAND (Fr. 1863-1951)

70. "L'Aieule" ("The Grandmother"), color etching & aquatint, 1904, A202iv, IFF98, ed. 81/100, , 14 1/8 x 18 3/4.", $525. Signed in the plate and signed in pencil on the mat. With the red Gustave Pellet blind stamp, lower right.

MARTIN LEWIS (Amer. 1881-1962)

71. "Ice Cream Cones", drypoint, 1928, M73, ed. 75, 9 3/8 x 14 3/4.", $3950.

TOD LINDENMUTH (Amer. 1885-1976)

72. "The Gill Net", color linocut, c. 1917-20, ed. 50, 12 x 15 3/4.", SOLD This image was made into a greeting card by the Library of Congress a number of years ago. Also signed and located "Provincetown, Mass." on the reverse. Great colors and printing.

BERTHA B. LUM (Amer. 1869-1954)

73. "Pines By the Sea", color woodcut, 1912, G&P34, ed. c. 183, 8 7/8 x 12 5/8.", $3250. Other impressions of this print are in the collections of the Library of Congress, Achenbach Foundation, Minneapolis Institute of Art and the Metropolitan Museum of Art. One of Lum's finest Arts & Crafts images.

74. "Rain", color woodcut, 1908, GP19, ed. c. 190, 11 1/8 x 6 3/8.", SOLD Arguably Lum's finest Arts & Crafts print. Skillfully repaired thin spot, lower right corner and upper right corner.

HARRY F. MACK (Amer. b. 1907)

75. "Carbide Lamps", etching & aquatint, c. 1930's, 8 7/8 x 11 3/4.", $650. A great nighttime road paving scene by this seldom scene artist. Two minor hinge stains upper margin edges, recto.

REGINALD MARSH (Amer. 1898-1954)

76. "Iron Steamboat Co.", etching w/ hand color, 1932, S131, ed. c. 21, 7 x 9.", $6500. A rare New York image by Marsh and the fact that it is hand colored makes it even more so...

JOHN R. McDERMOTT (Amer. 1919-1977)

77. [Boston Red Sox Player Turning a Double Play], oil/board, c. 1950-60, 20 1/2 x 9" (sight)., $850. McDermott began his illustrating career at Disney in the 1930's. After the war he worked for the slick men's magazines--Argosy, True, Male, etc.--and also for Colliers, often depicting military, action, and horror subjects.Framed.

MILDRED McMILLEN (Amer. 1884-1940)

78. "Ship and Shells", woodcut, 1923, ed. unknown, 11 1/2 x 14 1/4.", SOLD One of the original Provincetown Printers, McMillen never worked in color and her prints are uncommon.

WILLIAM C. McNULTY (Amer. 1889-1963)

79. "Junk Shop", etching, 1925, ed. 20/100, 6 1/4 x 7.", $450. Two tiny hinge remnants upper corners.

LEO MEISSNER (Amer. 1895-1977)

80. "Clearing Away", wood engraving, 1969, ed. 18/60, 7 7/8 x 11 3/4.", SOLD With artist's original label on reverse giving title and his Cape Elizabeth and Monhegan Island addresses.

GEORGE JO MESS (Amer. 1898-1962)

81. "City Roof Tops", aquatint, ed. 4/100, 8 5/8 x 6 1/8.", SOLD A stunning image. I can find no records of sales or offerings of this print anywhere...

JEAN-FRANCOIS MILLET (Fr. 1814-1875)

82. "La Grand Bergere", etching, 1862, D18, 12 1/2 x 9 3/8.", $3750.

WOLDEMAR NEUFELD (Amer. 1909-2002)

83. "El Station at Hanover Square", color linocut, ed. 32/100, 16 x 9.", SOLD Neufeld moved to New York in 1945 and became known as the "Artist Laureate of the East River." There was an exhibition of the artist's work as the South Street Seaport Museum in New York City in 1975. Full margins and wonderful colors.

HUGO NOSKE (Aus. 1886-1960)

84. [Day Lilies by the Water], color woodcut, 11 1/8 x 8 1/8.", $575. Two small hinge remnants left margin edge; wonderful colors!

WILLIAM PADEN (Amer. 1930-2004)

85. "Katsu-ura", color woodcut, ed. 16/50, 12 1/8 x 16.", $350. The artist was born in Indiana and studied printmaking in Japan. He is the author of Notes to the Hanga Printmaker: The Biomechanics of Printing.

86. "Nawashiro", color woodcut, ed. 22/50, 12 1/4 x 14 3/4.", $350. The artist was born in Indiana and studied printmaking in Japan. He is the author of Notes to the Hanga Printmaker: The Biomechanics of Printing.

MARGARET J. PATTERSON (Amer. 1867-1950)

87. "Coast Cedars, Winter", color woodcut, c. 1919, ed. 34/100*, 7 1/4 x 10 1/4.", $5750. An impression of the "non-winter" version of this print was exhibited at the 4th Int. Print Exh. at the Los Angeles Museum in 1923. Faint vertical toning in image. *Patterson planned editions of 100 but rarely completed them.

89. "Summer Clouds", color woodcut, c. 1918, 8 7/8 X 11 3/8.", $10,500. Arguably Patterson's finest--and rarest--print (and, I believe, her largest). Pic-tured in color in A Spectrum of Innovation p. 75. Full margins, great colors. Faint toning in old mat opening and small piece of brown paper tape, upper margin edge. Tight vertical crease from printing, lower center, which is not uncommon with her prints. Nice gauffrage (embossing with uninked block) in clouds giving added dimensionality.

90. "Swans", color woodcut with embossing, c. 1920, 7 1/8 x 10 1/8.", $5750. An unsigned proof from the estate of Sylvan Cole. A particularly luminous impression of this print with nice embossing ("gauffrage") on the wings. The sheet is trimmed to the borderline which is often the case with Patterson's woodcuts.

88. study for "Pond Lily", watercolor & gouache, c. 1920, 10 3/8 x 7 1/8.", $4250. With a graphite drawing of the same scene on the reverse. The sheet is the same size of the finished print suggesting it is a late study. Unsigned.

AUGUSTA RATHBONE (Amer. 1897-1990)

91. "La Turbie, French Riviera", color etching & aquatint, c. 1935, ed. 2/2, 14 1/2 x 10 5/8.", $225. Slight scuff to paper in image, upper right.

PIERRE AUGUST RENOIR (Fr. 1841-1919)

92. "Femme nue Assise", soft ground & etching, c. 1906, D12, S12, 7 1/4 x 5 5/8.", $3500. Full sheet, excellent condition and impression.

WILLIAM SELTZER RICE (Amer. 1873-1963)

93. "Eucalyptus--Greenbrae", color woodcut, c. 1925, ed. c. 15, 7 3/4 x 3 1/2.", $1250. An unsigned proof; a great Art & Crafts image. Greenbrae is a small community in Marin Country.

HULDA ROBBINS (Amer. 1910- )

94. "Winter in the City", serigraph, c. 1945, 13 7/8 x 18.", $675. An energetic scene showing the contrast between those work and those who play in the snow. Paper tape remnants, upper margin edge; faint soiling in margins. Robbins studied at the Barnes Foundation in Philadelphia and in Berlin with Ludwig Bartning. Member of the American Color Print Society and taught at the National Serigraph Society School, 1954-60.

CHARLOTTE ROLLINS (Late 19th/early 20th c.)

95. [Valley Landscape with House], color woodcut, c. 1920, ed. prob. small, 10 1/4 x 13 1/2.", SOLD Signed, lower right in image. Rollins was an important early woodcut artist who collaborated with Emil Orlik. A print by the artist is pictured (in color) in The Woodcut Today At Home and Abroad (1927). It is one of only nine color plates. She is believed to have been English and active in Berlin in the early decades of the 20th century.

ARNOLD RONNEBECK (Amer. 1885-1947)

96. "Colorado Mining Town", lithograph, 1933, ed. 1/25, 9 5/8 x 14 1/2.", $425. Full margins; some light glue stains margins edges.

97. "Old Mine, Silver Plume", lithograph, 1932, ed. 4/25, 14 3/4 x 9.", SOLD Full margins; some light glue stains margins edges.

LOUIS CONRAD ROSENBERG (Amer. 1890-1983)

98. "Royal Insurance Building" (NYC), etching & drypoint, 1931, 7 1/8 x 9 5/8.", $625. Nice view of three bridges in New York's East River; The Brooklyn, Manhattan, and Williamsburg. Titled and dated in the plate. There is another, vertical, view of the same building that was executed in 1927.

RUDOLPH RUZICKA (Czech./Amer. 1883-1978)

99. "The Washington Monument in the Public Garden, Boston", color wood engraving, 1933, 5 1/4 x 3 1/2.", $225.

KIYOSHI SAITO (Jap. 1907-1997)

100. "Resting, Paris", color woodcut, 1960, ed. 96/120, 20 1/8 x 14 7/8.", $1750. Pencil signed, numbered and titled. With "self-carved/self-printed" label.

WILLIAM J. SCHALDACH (Amer. 1896-1982)

101. "Small Grouse Perching", watercolor, 9 x 10.", $750. Signed, lower right; titled, lower left in margin and also inscribed "#1457-50."

IRVING SCHWARTZ (Amer. 1895-1989)

102. "Corpus Christi", etching & aquatint, c. 1934, 5 x 6 7/8.", $525. Another impression of this print was exhibited at the Printmaker's Society of California in 1934. Titled in pencil. Also exhibited at the Philadelphia Society of Etchers, Newman Galleries and exhibited at the Grand Central Galleries, New York. He exhibited at the Los Angeles County Fair, Rosenberg Library, Galveston, Dallas Art Museum, Centennial Museum, El Paso and the El Paso Museum of Art.

GEORGE E. SENSENEY (Amer. 1874-1943)

103. "The Archway", color etching & aquatint, c. 1915, noted No. 22, 12 7/8 x 16 1/8.", $525. With Brown-Robertson NY blind stamp. Noted No. 22 in pencil. Senseney did very atmospheric prints and was a medalist at The Panama Pacific International Exposition in San Francisco in 1915 (where another impression of this image was exhibited). He was the first artist in this country to print etchings in color. He was the founder and director of the Holyoke (MA) League of Arts & Crafts.

GEORGE HENRY SMILLIE (Amer. 1840-1920)

104. "Old New England Orchard", etching, 1883, 8 1/8 x 12 1/8.", $425. Signed in pencil, which is not common for this print. Pictured in The New York Etching Club Minutes by Stephen A. Fredericks, (2009), p. 61.

WUANITA SMITH (Amer. 1866-1959)

106. "Mid-Summer" (Poppies), white-line color woodcut, ed. small, 12 x 6 1/2.", $1250. Lovely colors and impression.

107. "Spring in the Square" [Rittenhouse], white-line color woodcut, c. 1941, ed, small, , 10 x 7 1/8.", $1350. Very good colors and printing. Signed, titled, dated on the original mat only (included). Narrow margins, most likely as printed.

CHARLES W. SMITH (Amer. 1893-1987)

105. Linoleum Block Printing (book), color linocut, 1925, 9 3/4 x 7 3/8" (book)., $225. Some wear and minor soiling to covers. Illustrated with some nice color prints by the artist.

HARRY STERNBERG (Amer. 1904-2001)

108. "Construction" (Riveter), etching & aquatint, 1932, M139, B2, ed. 20?, 14 x 11."*, SOLD (*Image is a tondo, 8 1/8.") This image was on the cover of Harper's Magazine in May of 1933 and in Fine Prints of the Year in 1933. With label from the Whitney Museum of Art exhibit of March 11-April 13, 1941. Sternberg also did a serigraph of this image ("Riveter") which is the cover to Dave and Reba Williams American Screenprints.

109. "Twilight", etching & aquatint, c. 1936-38,*, ed. small, 10 x 11 3/4.", SOLD *This is the period that Sternberg created most his works relating to steel mills. Not in Moore catalog thus probably fairly rare.

C. STILSON (Amer. 20th c.)

110. "Steel Number One", lithograph, ed. 200, 14 x 9 1/2.", $250.

111. "Steel Number Two", lithograph, ed. 200, 9 5/8 x 14 1/8.", $250.

LOUIS K. STONE (Amer. 1902-1984)

112. [Abstract Composition], serigraph, c. 1930-40's, ed. small, 8 1/2 x 12 1/4.", $725. Stone studied with Hans Hofmann in Germany and Andre Lhote in France in the 1920's. He settled in New Hope, PA in 1935 and began working with a group called the Independents. The style and subject of this print is similar to paintings he created in the late 1930's and early 1940's.

BARBARA STOUGHTON (Amer. b. 1928)

113. [Gulls & Sailboat], Provincetown white-line color woodcut, ed. small, 5 1/2 x 6 5/8.", SOLD An unsigned proof; framed.

GRACE MARTIN TAYLOR (Amer. 1902-1995)

114. "The Mimic", Provincetown white-line color woodcut, 1958/1973, ed. very small, 14 1/2 x 12.", $2500. Inscribed in pencil with the title and "Artists Proof II" also inscribed in lower margin "Proof 2" and "9-1-73." Taylor carved the block in 1958 and also printed an edition in 1973. Some light scattered foxing in margins.

FEROL SIBLEY WARTHEN (Amer. 1890-1987)

115. "Sailboat and Gull", Provincetown white-line color woodcut, 1953/1973, ed. > 48, 7 x 7.", $1950. Warthen learned the white-line method from Blanche Lazzell in the early 50's. The block for this print was cut in 1953 and this print pulled in 1973 as print #48. Light skinning upper margin edge, verso, well out of image area. Slight toning in old mat opening.

ERNEST W. WATSON (Amer. 1884-1969)

116. "Tide Out, St. Ives", color woodcut, 1939, ed. 200, 7 x 9.", $200. Published by Print Club of Rochester.

HIROSHI YOSHIDA (Jap. 1876-1950)

117. "Fujiyama from Yoshida", color woodcut, 1926, 9 7/8 x 14 5/8.", $975. With the jizuri seal. From the series "Ten Views of Fuji."