Steven Thomas, Inc.

Uploaded October 3, 2017 1pm EST

Email Blast #7: New Purchases: Since I am no longer doing print fairs, all new items will be offered first in this fashion. No one knows what they new items are until the day of upload and all people on our email list get an equal shot at the new prints. Upload will always be at 1pm Eastern time on the designated day so all can have an equal chance.

These blasts are what will happen when I compile a critical mass of new items. I will be sending these out a number of times per year. This is in lieu of yearly catalogs and will give all on my mailing list a more or less equal shot at new items. **IF YOU ARE NOT ON MY EMAIL LIST YOU CAN SIGN UP AT THE BOTTOM OF THIS PAGE (**We never share, sell or otherwise expose your email address).

All items are hand signed by the artist unless specifically noted otherwise.

All items are properly matted and unframed unless otherwise noted. All defects, minor and major, are noted.

Please See our "Conditions of Sale" page for information on shipping, guarantees, etc.

You can jump to artist's last name by using the alphabet, below. Also, you can search for a given name (e.g. "Benton"), item (e.g. "elephant"), location, etc. by using the "Find" function on your web browser. PC users: Control + F and Mac users: Command + F.

 

Alphabetical by Artist: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z

 

ARMAN (Fr./Amer. 1928-2005)

"BOOM-BOOM," color silkscreen, 1966, OM254 ed. 225, 16 7/8 x 21 3/4.” Signed in pencil.  $950. Full sheet, nice colors. From The New York International Portfolio and with the blindstamp of the printer, Chiron Press, lower left. With Gallery label from Gallery 6M on reverse and also a label from The Museum of Modern Art Art Lending Service as well.

MILTON AVERY (Amer. 1893-1965)

"RECLINING NUDE," drypoint, 1941, L22, ed. 100, 3 5/8 x 7 3/8.” Signed in pencil.  $3250. Framed.

JOHN ROGERS COX (Amer. 2015-1990)

"WHEAT SHOCKS," lithograph, 1951, AAA ed. 250, 8 3/4 x 11 3/4.” Signed in pencil. SOLD. Full margins and in original AAA mat with original label. Pristine. The artist’s only print!

LEONARD EDMONDSON (Amer. 1916-2002)

"CANYON TRAIL," mixed media with color intaglio, c. 1960's, ed. 50, 9 3/8 x 10 3/8.” Signed in pencil.  $650. The artist was exposed to the works of Paul Klee while serving in the military in Europe. I can’t find a record of another impression of this image.

FRITZ EICHENBERG (Amer. 1901-1990)

"THE SUBWAY ("SLEEP"), wood engraving, 1934, ed. 200, 6 1/4 x 4 3/4.” Signed in pencil. SOLD. One of the artist’s early, iconic, images of New York created soon after his arrival in America in 1933.

ERNEST FIENE (Amer. 1894-1965)

"WASHINGTON SQUARE NO. II,", lithograph 1928, C44, ed. 30, 14 3/8 x 11 5/8.” Signed in pencil.  $800. An impression of this print is in the collection of the New York. Public Library. In April, 1927, Fiene's New York City address was 19 E. 9th Street, just around the corner from the arch. Most likely he was still there in 1928 when his three Washington Square lithographs were executed.

WILLIAM RUSSELL FLINT (Brit. 1880-1969))

“ACROBATS AT LORCA FAIR,” etching & drypoint, 7 7/8 x 13 5/8.” Signed in pencil. $650. Inscribed “LVIII” in ink, lower left margin.

EDWIN GEORGI (Amer. 1896-1964)

"STATUE OF LIBERTY,", lithograph c. 1930, ed. 500*, 10 1/8 x 16 3/8.” Signed in pencil.  $1500. *The print is inscribed “ed. 500” but judging from the rarity of this print it seems highly unlikely that the edition was ever completed.

 

HELEN WEST HELLER (Amer. 1872-1955)

“ALABAMA BIOCHEMIST" (George Washington Carver), woodcut, 1947, 11 3/8 x 8 3/8.” Signed in pencil. SOLD. Noted #20 in margin, This image is not commonly encountered: it has not appeared at auction or in dealers’ catalogues going back over 25 years. Exhibition label from 19th Annual Exhibit Boston Society of Independent Artists. Another impression of this print is in the collection of the Library of Congress. Very faint foxing spots in margins.

ROCKWELL KENT (Amer. 1882-1971)

“LUNAR DISINTEGRATION,” lithograph, 1937, BJ117, ed. unknown, 12 x 10 1/8.” Signed in pencil. $2250. Rarely seen. Inscribed in lower margin “End of the World (Collision with the Moon).” No. 1 in what Kent called “End of the World Series.” Slight cockling to the paper in the (broad) lower margin. Faint paper clip stain upper left margin, well out of image.

DORIS LEE (Amer. 1905-1983)

“THE DOVE,” lithograph, 1951, AAA ed. 250,11 3/8 x 9 1/2.” Signed in pencil. $275.

JACQUES LIPSCHITZ (Fr. 1891-1973)

“NUDE & COCK,” etching & aquatint, 1945, ed. 6/10* 6 3/4 x 5 3/8,” Signed in pencil. $1150. *This an artist’s proof aside from the edition of 50. Another impression of this print is in the collection of the Cleveland Museum of Art. This image has sold (Swann Galleries May 6, 2004, lot 494 as “Danseuse et Coq”). This impression with a label from Stephen Radich Gallery, NYC and a loan label from the same gallery to the Baltimore Museum of Art with both labels giving the title as “Dancer with Hood.” (??).

LOUIS LOZOWICK (Amer. 1892-1973)

“ANGRY SKIES,” lithograph, 1935, F123, AAA ed. 250, 9 1/2 x 13 1/2.” Signed in pencil. $950. With original AAA label.

LOUIS LOZOWICK (Amer. 1892-1973)

“THROUGH BROOKLYN BRIDGE CABLES,” lithograph, 1938, F158, AAA ed. 250, 8 3/4 x 12 3/4.” Signed in pencil. $3950. Full margins.

JOHN DE MARTELLY (Amer. 1903-1980)

“BLUE VALLEY FOX HUNT,” lithograph, 1937, Z10, AAA ed. 250, 13 x 16 1/2.” Signed in pencil. $875.Chips to right margin edge; small pinhole below signature expertly repaired.

BROR J.O. NORDFELDT (Amer. 1878-1955)

“THE WAVE, MOONRISE,” color woodcut, 1906/7, D19, 9 1/4 x 11 1/8.” Signed in pencil. SOLD. Dated and numbered 119 in pencil. With fragment of original backboard giving titled as “The Small Loave, Moonrise” with price of $15.00. Signed again and listing return address as Provincetown, Mass. Narrow margins as usual.

MARGARET J. PATTERSON (Amer. 1867-1950)

“COAST CEDARS” color woodcut, c. 1919, D19, ed. 51/100,* 7 1/4 x 10 1/4.” Signed in pencil. $4750. An impression of this print was exhibited at the 4th Int. Print Exhibit at the Los Angeles Museum in 1923. The artist also did a winter version of this print (“Coast Cedars, Winter.”). *Patterson planned editions of 100 but it is widely believed that she didn't complete them. Particularly strong colors! Signed twice and titled in pencil.

CHARLES HOVEY PEPPER (Amer. 1864-1950)

“FLEUR-DE-LYS” (aka "Ikebana"), color woodcut, c. 1903, D19, ed. small, 12 1/8 x 9 1/8.” Signed in pencil. $495. It is rare to fine images from this series of prints to be signed in pencil. Published by Kobayashi Bunshichi. An impression of this print was exhibited in 1904 at the New York Watercolor Club in a show of the artist’s work. Trimmed to image.

CARL PICKHARDT (Amer. b. 1908)

“SUBWAY,” lithograph, 1939, Z10, ed. c. 30, 10 x 8.” Signed in pencil. $1250. Professional repair upper margin, well out of image area. Noted “Trial Proof” in margin.

LAWRENCE BEALL SMITH (Amer. 1904-1962)

“SKATERS," lithograph, 1939, AAA ed. 250, 11 x 8 1/2.”  Signed in pencil. $995. With original label from Associated American Artists.

BENTON SPRUANCE (Amer. 1904-1962)

“A WORLD OF ONE'S OWN," lithograph, 1948, ed. 30, 13 1/2 x 17 3/4.”  Signed in pencil. $1750. Full margins. With original linen hinges.

ANNA HEYWARD TAYLOR (Amer. 1879-1956)

“TURTLE AND WAVE," color woodcut, 1929, ed. very small, 8 7/8 x 9.” Signed in pencil. POR. Signed, titled and dated in pencil. Noted “No.4” in pencil as well. This is likely the print “Sea Turtle, No. 2” listed as catalog #16 in Anna Heyward Taylor Printmaker at The Greenville Country Museum of Art Jan. 13-February 22, 1987. Wonderful colors and impression. Full margins.

MARGARET WHITTEMORE (Amer. 1897-1983)

The artist was a founding Member of the Prairie Print Makers.

This grouping of 21 images came in a portfolio which was inscribed "Charles Rogers,", suggesting they were from the collection of fellow Kansas artist Charles B. Rogers (1911-1987).

 

MARGARET WHITTEMORE (Amer. 1897-1983)

“BAPTIST MISSION NEAR TOPEKA," lithograph, 7 x 9 3/4."  Signed in pencil. $125.

MARGARET WHITTEMORE (Amer. 1897-1983)

“BIRTHPLACE OF THE A.T. & S.F. RAILWAY, ATCHISON," serigraph, 8 1/8 x 9 3/4.”  Signed in pencil. $150. With typed label on the reverse reading “Made by Kansas W.P.A. Museum.”

MARGARET WHITTEMORE (Amer. 1897-1983)

“BLOCK HOUSE AT FORT HAYS, KANSAS," color linocut, 7 3/4 x 9 1/2.”  Signed in ink. $150. On original mount.

 

MARGARET WHITTEMORE (Amer. 1897-1983)

“CHICKADEES," color linocut, 7 1/4 x 4.”  Signed in pencil. $125. On original mount.

 
 

MARGARET WHITTEMORE (Amer. 1897-1983)

“COVERED BRIDGE--SPRINGDALE--LEAVENWORTH COUNTY," color linocut, 8 x 10.”  Signed in pencil. $150. Inscribed on reverse: “Federal Works of Art Project Region No. 7, Kansas”

MARGARET WHITTEMORE (Amer. 1897-1983)

“COVERED BRIDGE--SPRINGDALE," serigraph, 8 1/8 x 9 3/4.”  Signed in pencil. $150. With artist’s address sticker from her home in Sarasota, Florida (She moved there in 1955).

MARGARET WHITTEMORE (Amer. 1897-1983)

“FIRST EPISCOPAL CHURCH IN KANSAS--LAWRENCE," color linocut, 7 1/8 x 9 1/8.”  Signed in pencil. $150. Inscribed on reverse: “Federal Works of Art Project Region No. 7, Kansas” Small 1/8” hole right center edge.

MARGARET WHITTEMORE (Amer. 1897-1983)

“HOME OF CARRY A. NATION--MEDICINE LODGE, KANSAS," lithograph, 7 3/8 x 10 1/2.”  Signed in the stone only. $125.

MARGARET WHITTEMORE (Amer. 1897-1983)

“JOHN BROWN," serigraph, 10 x 7 3/8.”  Signed in pencil. $175. Also signed by fellow artist Avis Chitwood (1893-1994).

MARGARET WHITTEMORE (Amer. 1897-1983)

“LAWRENCE WINDMILL," linocut, 14 x 10 1/2.”  Signed in pencil. $150.

MARGARET WHITTEMORE (Amer. 1897-1983)

“LAWRENCE WINDMILL," (Study for a color linocut), gouache on tissue/glassine, 10 x 8.”  Signed in pencil. $175. Painted on a glassine-like medium. With a light horizontal fold and some minor chipping to pigment. Likely a study for a color linocut.

MARGARET WHITTEMORE (Amer. 1897-1983)

“LITTLE BASIN, CLARK CO.--ST. JACOB'S WELL," serigraph, 8 x 10.”  Signed in pencil. SOLD. AKA “St. Jacob’s.”

MARGARET WHITTEMORE (Amer. 1897-1983)

“NEAR JUNTION CITY, QUIVAN CABIN," serigraph, 8 x 9 7/8.”  Signed in pencil. $125. Also signed by fellow artist Avis Chitwood (1893-1994).

MARGARET WHITTEMORE (Amer. 1897-1983)

“NURSE'S HOME, MENINNGER SANATARIUM," hand colored lithograph, 5 x 7.”  Signed in pencil. $125.

MARGARET WHITTEMORE (Amer. 1897-1983)

“OLD STONE CHURCH, WABAUNSEE, KANSAS," lithograph, 8 3/8 x 7.”  Signed in pencil. $125.

MARGARET WHITTEMORE (Amer. 1897-1983)

“ON HUNTOON LOCUST-TREE (OLDEST IN TOPEKA," serigraph, 8 1/8 x 9 1/4.”  Signed in pencil. $150. Also signed by fellow artist Avis Chitwood (1893-1994).

MARGARET WHITTEMORE (Amer. 1897-1983)

“RED-WINGED BLACKBIRD," color linocut, 9 1/2 x 5 1/8.”  Signed in pencil. $125.

MARGARET WHITTEMORE (Amer. 1897-1983)

“RUINS OF MONMOUTH EPISCOPAL CHURCH," color linocut, 8 x 10.”  Signed in pencil. $150. Inscribed on reverse:
“Federal Works of Art Project Region No. 7, Kansas”

MARGARET WHITTEMORE (Amer. 1897-1983)

“SHAWNEE MISSION," color linocut, 7 x 9.”  Signed in pencil. $150.

MARGARET WHITTEMORE (Amer. 1897-1983)

“ST. JACOB'S," serigraph, 8 x 10.”  Signed in pencil. $150. AKA “Little Basin, Clark Co.--St. Jacob’s Well.”

 

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